Delivery Timeīoth music distribution services are very fast when it comes to getting your own music online. Based on this factor, the choice will ultimately come down to each artist’s priority. It seems that LANDR distribution focuses on getting your music to the most outlets possible including smaller and niche ones while DistroKid leans toward quality over quantity. LANDR claims to release music to more than 150 stores and platforms, including the most popular ones such as Spotify and Apple Music.ĭistroKid, currently, will distribute to 31 major platforms plus other services via their partnership with MediaNet. mastering, samples library, or Sessions – a tool for collaborating with other artists online – even though these are priced separately. LANDR’s price is justifiable if you plan to use their additional services, such as the A.I. Another great feature from DistroKid is that you have the option of splitting the payment of the plan with your band members. LANDR is a bit higher-priced than most other music distributors, even with the Unlimited plan. In the long run, DistroKid will be cheaper. James Media, specializing in music licensing, publishing, production and artist development.Tip: See how Distrokid performs against Amuse distribution in our Amuse vs DistroKid article. James is the founder and creative director of St. Try out LANDR for free at and follow on Twitter THE AUTHOR Come join the community, and let’s make better sounding music. But, there’s this whole A&R angle, where we are actually helping bands succeed with mix contests, even label deals. We want to be a part of high-quality streaming’s growth. JE: We’re excited about more integration partners. So, we’re working on ways to put LANDR wherever a musician is uploading audio. We feel a responsibility to educate people on mastering. JE: Yes, LANDR is now available as an integrated embeddable option. PM: Congrats on the partnership with TuneCore, Xiami, and others. We’ve tried to do the heavy lifting under the surface, but we have one complexity we give to users the ability to change – the “Intensity Settings.” The loudness wars are a very real thing, but we offer people a little leeway into that low intensity, or into higher sensitivity, but each genre will be dealt with differently. JE: That’s the cool thing about it, it’s always learning. ![]() PM: How does LANDR handle throwback genres, when an artist maybe wants a master slammed hot? (Ex. Basically, the more we throw at LANDR, the better it gets. Our system is built around an adaptive engine that ‘listens’ and reacts to music, using micro-genre detection to make subtle frame-by-frame adjustments, selectively using tools like multi-band compression, EQ, stereo enhancement, limiting and aural excitation based on the unique properties of the song. Its true beauty lies in its ability to learn. JE: (laughs) Well, I can’t tell YOU that! Basically, LANDR is smart and getting smarter. PM: What’s the secret tech sauce? How does LANDR’s algorithm work? Montreal is just an incredibly creative community. I think most of us at LANDR are basically trying to use technology to make being a professional creator easier. My background was making experimental music, so I’ve felt all of the pain points, personally. ![]() PM: I ask everyone in music tech – are you a musician/producer? JE: We’re pushing 150,000 users in nearly two hundred countries, in six languages, with 750,000 songs mastered and we’re still growing. PM: How many musicians are using LANDR now? LANDR is the growing manifestation of that technology. They developed a body of knowledge that we acquired a license to use. Almost 8 years ago, the Centre for Digital Music at Queen Mary University of London program started working on machine learning and A.I. JE: LANDR is the first product of MixGenius. Justin Evans: Mastering is the thing that makes your music sound great on every single platform at the same time, whether it’s through headphones, out of a great stereo, or online. Performer: In pro audio it’s really hard to simply explain what the hell “Mastering” is to an artist what is your simple explanation? I chatted with Justin Evans, VP of Product at LANDR by MixGenius, to get some insight into this new music tech solution. I was recently introduced to LANDR which is an online site where musicians and producers can drag and drop their mixed tracks (.wavs) and receive an outputted master, all automatically. But to be taken seriously, to make actual money on licensing, to sound professional, and to treat your art with the finishing touch it deserves, you must bite the bullet, and spend the dough. You simply must do it, every time.īut it’s expensive, it’s confusing, it’s an art, and the mix has a lot to do with the outcome, and blah, blah, blah. As mixing has gotten more affordable, or even accessible to learn, we have one final step to conquer.
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